Bethany  Nowviskie

  
  • Title / Position: Director of Digital Research & Scholarship
  • Organization: University of Virginia Library
  • Website: nowviskie.org
  • Twitter: nowviskie

Director of Digital Research & Scholarship at the UVa Library (my department includes the super-fantastic Scholars' Lab), and Special Advisor to the Provost for digital humanities at UVa. President of the Association for Computers and the Humanities (ACH) and CLIR Distinguished Presidential Fellow, too.

The Chronicle of Higher Ed says, "Bethany Nowviskie likes to build things." True! And herd cats.

  • three thoughts

    2

    I have three ideas for sessions this year — and will also be keeping one eye on this guy:

    Pinterest Wunderkammer: For years, I’ve fantasized about creating the perfect interface for a digital humanities cabinet of wonders, but never had time to follow through. Have they beaten me to it? I didn’t pay much attention to Pinterest at first, but then started to see some startling collections. I especially find the temporal dimension fascinating: if you follow this woman’s feed, you can watch her move through varying aesthetic obsessions over time — coherent washes of color, for instance, even across diverse assemblages. So it’s fluid, performative collection-building — or beautifully diachronic fixing. There’s plenty to read about Wunderkammern, but I’d like to have a conversation with some immediate implications for building.

    Quantified Self: At past THATCamps, I’ve co-hosted workshops and conversations on physical computing (especially wearables). I also started a Zotero group for research and inspiration on soft circuits. Now I’m getting interested in the “quantified self” movement (see Wolfram for an extreme example) and am thinking about melding the two. My FitBit has an API. My phone knows where I’ve been. Anybody else interested in the intersection of DH, quantified self, and physical computing?

    Rethinking the Graduate “Methods” Course: I wrote this thing. Now I’m hosting these conversations and running this program. I also spend a lot of time thinking about how well qualified lots of these people are to help train the next generation of humanities faculty and knowledge workers. Wanna talk about it?

  • A kid-friendly THATCamp!

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    out of the nestLet’s admit it: we love THATCamps because they make us kids again. They’re like perfect sandboxes and brand-new Crayons and the first day of school combined. We get to make new friends, invite them to play with the building blocks we share — and enjoy some willful trespassing in unfamiliar fields and methodologies, all the while thumbing our noses, for a day or two, at authority: conventional conference and presentation formats, disciplinary boundaries, and those class divisions in the academy that we all know to be bogus, man. Totally bogus. (Are you going to drink your chocolate milk?)

    Inspired by past conversations about our own child-like wonder at unconferences, the shared goal of the digital humanities community to instill a maker’s ethos in the next generation (young or less young), and our perennial need for babysitting in order to attend events like this — we are declaring THATCampVA 2012 to be a kid-friendly THATCamp!

    A couple of kids in the 8- to 13-year-old age-range have already signed up to attend along with their parents — and we are both extending the deadline and opening up some extra slots to accommodate new registrants. Kids will be welcome to accompany parents or guardians at our Friday workshops (where they might especially enjoy some DIY aerial photography), as well as to attend all day on Saturday. Depending on junior THATCamper turnout, we will either let the kids self-organize some sessions of their own, or you can bring them along to the grown-up conversations you think they’ll find interesting.

    So if you were reluctant to sign up because it meant leaving the little guys at home, or if you’re excited at the chance to spend some time geeking out together on technology in the humanities — please REGISTER BY MONDAY MORNING, March the 5th.

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